By Ed Morales
This week has been unlike any other in Puerto Rican history. An estimated 500,000 demonstrators filled Old San Juan’s cobblestone streets on Wednesday to demand the resignation of Governor Ricardo Rosselló. He has lost public confidence because of mounting scandals in his government and damning revelations from a leaked trove of private chats, published on July 13 by the island’s Center for Investigative Journalism.
The staggering diversity of the demonstrators—straddling age groups, political orientations, and social class—has elicited fresh declarations of the slogan “Puerto Rico se levanta” (“Puerto Rico is waking up”). The phrase, previously used as a rallying cry for fundraising in the wake of Hurricane Maria, lost its luster as the difficult realities of recovery set in. “We’re writing history,” said Juan Carlos Rivera Ramos, an activist in Puerto Rico when I contacted him this week. “Our people, in all their diversity of colors and flavors, ideological plurality, are expressing dignity on the streets. My eyes are tearing.”
US colonialism may have designated the island as an “unincorporated territory,” but its people have always called it a país (nation), and it’s this spectacular renaissance of nationalism that has allowed for so many different constituencies to come together. The island is suffering the worst political and economic crisis in its history, four years after its previous governor, Alejandro García Padilla, declared its $72 billion debt unpayable, resulting in the creation of a fiscal oversight and management board (FOMB, though known locally as la junta) a year later to restructure that debt.
But even as the island struggles to recover and wrestles with austerity measures imposed by FOMB, the scandal is personal. The vulgar nature of the governor’s chats (in which his subordinates launch expletive-laden tirades at targets ranging from Ricky Martin to San Juan Major Carmen Yulín Cruz) showed that Rosselló’s government more interested in protecting its power through a vicious strain of public relations than actually helping the Puerto Rican people in the aftermath of Hurricane Maria.
The day after the first massive Monday march, three women went to the Department of Motor Vehicles office in Rio Piedras, a municipality of San Juan, and removed the governor’s portrait from the wall in protest, setting off a series of copycat takedowns in other governmental offices. A crew of motorcyclists called to action by a social-media influencer called El Rey Charlie twice flocked into San Juan after stopping in various public housing projects, called residenciales (the crucibles for the creation of reggaetón music). Also spotlighted at marches were a committed group of radical feminists, Colectiva Feminista en Construcción, who had long been clamoring for Rosselló to acknowledge that there is a crisis of violence against women in Puerto Rico.